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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">voprnalit</journal-id><journal-title-group><journal-title xml:lang="ru">Вопросы национальных литератур. Issues of national literature</journal-title><trans-title-group xml:lang="en"><trans-title>Issues of National Literature</trans-title></trans-title-group></journal-title-group><issn pub-type="epub">2782-6635</issn><publisher><publisher-name>Северо-Восточный федеральный университет имени М.К. Аммосова</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.25587/2782-6635-2025-1-51-58</article-id><article-id custom-type="elpub" pub-id-type="custom">voprnalit-171</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ЛИТЕРАТУРНАЯ ЖИЗНЬ ФОЛЬКЛОРА. ПОЭТИКА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>FOLKLORE IN LITERATURE. POETICS</subject></subj-group></article-categories><title-group><article-title>Механизмы организации стихотворного ритма (на основе балкарской поэзии)</article-title><trans-title-group xml:lang="en"><trans-title>Mechanisms of poetic rhythm organization: The case of Balkar poetry</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0003-0647-1295</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Бауаев</surname><given-names>К. К.</given-names></name><name name-style="western" xml:lang="en"><surname>Bauaev</surname><given-names>K. K.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Бауаев Казим Каллетович – д. филол. н., зав. каф. русской и зарубежной литератур, </p><p>г. Нальчик.</p><p> AuthorID: 847285.</p></bio><bio xml:lang="en"><p>Kazim K. Bauaev – Dr. Sci. (Philology), Professor, Head of the Department of Russian and Foreign Literature, </p><p>Nalchik.</p><p>AuthorID: 847285.</p></bio><email xlink:type="simple">kazim_bauaev@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ФГБОУ ВО «Кабардино-Балкарский государственный университет имени Х.М. Бербекова»</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Kh.M. Berbekov Kabardino-Balkarian State University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2025</year></pub-date><pub-date pub-type="epub"><day>28</day><month>03</month><year>2025</year></pub-date><volume>0</volume><issue>1</issue><fpage>51</fpage><lpage>58</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Бауаев К.К., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Бауаев К.К.</copyright-holder><copyright-holder xml:lang="en">Bauaev K.K.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.vnlsvfu.ru/jour/article/view/171">https://www.vnlsvfu.ru/jour/article/view/171</self-uri><abstract><p>Стихосложение представляет собой сложный и теоретически недостаточно изученный раздел балкарского литературоведения. Проблема организации стихотворного ритма, к которой обратился автор работы остается одной из ключевых проблем литературного творчества, имеющей как теоретическое, так и практическое значение. Автором высказано мнение, что изучение стихосложения необходимо для понимания специфики поэтического языка и художественной формы поэтических произведений, а также для решения общих вопросов развития литературы. Без накопления эмпирических данных, наблюдений и выводов в этой области невозможно всесторонне исследовать такие важные аспекты литературного процесса, как взаимодействие традиций и новаторства в поэзии, специфика национальной формы современной балкарской литературы, влияние тюркоязычных литератур на развитие национальной поэтической традиции. Недостаточная изученность ключевых компонентов ритмики балкарской поэзии препятствует глубокому пониманию художественной формы поэтических произведений и своеобразия стихотворного языка национальных авторов.</p></abstract><trans-abstract xml:lang="en"><p>Versification is a complex and theoretically insufficiently studied section of Balkar literary criticism. The problem of organizing poetic rhythm, addressed by the author of the work, remains one of the key problems of literary creativity, which has both theoretical and practical significance. The author expressed the opinion that the study of versification is necessary for understanding the specifics of poetic language and artistic form of poetic works, as well as for solving general issues of literature development. Without accumulating empirical data, observations and conclusions in this area, it is impossible to comprehensively study such important aspects of the literary process as the interaction of traditions and innovations in poetry, the specifics of the national form of modern Balkar literature, the influence of Turkic literatures on the development of the national poetic tradition. Insufficient study of the key components of the rhythm of Balkar poetry hinders a deep understanding of the artistic form of poetic works and the originality of the poetic language of national authors.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>стихосложение</kwd><kwd>ритм</kwd><kwd>строка</kwd><kwd>строфа</kwd><kwd>поэзия</kwd><kwd>национальный язык</kwd><kwd>стихотворный размер</kwd><kwd>структура стиха</kwd><kwd>благозвучие</kwd><kwd>гармония</kwd></kwd-group><kwd-group xml:lang="en"><kwd>versification</kwd><kwd>rhythm</kwd><kwd>line</kwd><kwd>stanza</kwd><kwd>poetry</kwd><kwd>national language</kwd><kwd>meter</kwd><kwd>verse structure</kwd><kwd>euphony</kwd><kwd>harmony</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Буцкой А.К. Структура музыкального произведения: Теоретические основы анализа музыкальных произведений. 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